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Eric Thompson

Eric Thompson took up the guitar as a teenager in Palo Alto, California in the early 1960's, at a time when very few folk guitarists were playing more than basic rhythm guitar. Among his earliest bands were the Black Mountain Boys (with Jerry Garcia and David Nelson) and Mother McCree's Uptown Jug Champions. He quickly became nationally known as an exceptional lead flatpicker, winning the World Championship Cup at Union Grove, North Carolina with the New York Ramblers (which also included David Grisman and Winnie Winston) and flying to Nashville, Tennessee to record "Beatle Country" with the Charles River Valley Boys (reissued on Rounder).

During the 1970's, Eric continued to play old-time music and can be heard with the Spare Change Boys on the recently released Folkways CD, "Classic Oldtime Music". He also took up the tenor banjo, organized the Graineog Celidh Band around two master musicians from County Clare, Joe Cooley and Kevin Keegan, and spent six months in the west of Ireland, visiting and learning from older traditional musicians there.

Eric's first solo LP, "Bluegrass Guitar", featured an all-star band including David Grisman and Tony Rice, and was released in 1979 on Kicking Mule; it was recently reissued, with additional duet tracks with David Grisman, as "Thompson's Real". A duet album with guitarist Alan Senauke, "Two Guitars", featured a more eclectic mix ranging from American bluegrass to Irish reels to Greek rembetika; it has also recently been reissued in tandem with the Blue Flame Stringband album.

In the 1980's Eric toured extensively nationwide and abroad with the Blue Flame Stringband (with Kate Brislin, Alan Senauke, and Suzy Thompson) and the Backwoods Band, recording with both bands. Between tours, he traveled to southwest Louisiana, pursuing his newest musical interest, Cajun music. In 1983 he formed the California Cajun Orchestra and can be heard on their two award-winning Arhoolie CDs. More recently he has recorded with the Todalo Shakers and of course with the Bluegrass Intentions on their debut CD, "Old As Dirt". Eric also appears as a sideman on recordings by Mike Seeger, Alice Gerrard, the Savoy-Doucet Cajun Band, Mac Benford, Jody Stecher, Jane Voss, and Frankie Armstrong, among others.

Eric's latest CD release is entitled “Kleptograss”, in which he paints a passionate pastiche of tune and timbre viewed through bluegrass-tinted glasses.  “Borrowing” freely from any musical style that grabs his eclectic ear, he plunders tthe mountain musics of Appalachia and Puerto Rico, the insular sounds of Ireland and Greece, some funky jug-band blues, plus both French and Western Swing, drawing on the “crème de la crème” of the San Francisco acoustic scene: scintillating Scott Nygaard on  guitar, bashful wit Paul Shelasky on fiddle, wise wizard Jody Stecher on mandolin and banjo, and powerhouse Paul Knight on  bass.

Eric is a knowledgeable and patient teacher, who has been a staff member at Puget Sound Guitar Workshop, Bluff Country Gathering, Augusta Heritage Old-Time and Cajun-Creole Weeks, Port Townsend Festival of American Fiddle Tunes, Ashokan Fiddle & Dance Camp, and Lark In the Morning. His latest writing project is "Playing Bluegrass Guitar", published by Backbeat Publications. Eric's guitar instructional materials are distributed by Stefan Grossman's Guitar Workshop. He is featured in the Mel Bay publication Flatpicking 2000 and has also written instructional columns for Flatpicking Guitar and Acoustic Guitar magazines.


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